Friday, 10 May 2013

Shi-min Fang; a science writer’s hero.


Alright, so I’m not a science writer, and I’m not even an aspiring science writer because I already know that I would get far too fangirly around all those physicists with their big, sexy brains to do it with any degree of serious professionalism. But I do like science and writing, and I respect more than anyone else the people who take risks to get the truth out there into the public sphere, especially when the risks are so high.

Shi-min Fang is a Chinese science writer who has risked far more than just libel cases (which are bothersome enough as it is) to expose the straight-up lies of some people in China. He has recently won the Maddox prize – which is typically awarded to people who promote science despite perhaps facing difficult or hostility in so doing – for exposing scientific misconduct in China.

Since 2000, Shi-min Fang has been exposing fraudulent ‘scientists’ who took advantage of China’s celebration of any science and technology to publicize nonsensical, pseudoscientific articles, flog fake medicines and carry out dangerous medical procedures without clinical trials. He has made it his business as a science writer to root out those who are fakers and expose them, despite whatever threats they offer him, using his website New Threads to make this information accessible to the Chinese general public.

Many have fought his allegations, no matter how truthful they were. He has been sued more than ten times and, due to the inefficiency and bias of the Chinese court, has even wrongly lost once, as well as being assaulted with pepper spray. In 2010 hired thugs attacked Shi-min Fang with a hammer with the intention of his murder when he challenged the efficacy of a surgical procedure developed by their boss as well as the heavily padded CV he used to persuade people of his worth. Shi-min Fang is responsible for opening up a forum for criticism and debate in a society that was otherwise devoid of such freedoms.

Despite all the dangers he has faced, he maintains that it was all worth it because of the good he has done for the scientific community and the general public in China. His one concern, he admits, is the danger faced by his wife and children.

Frankly, that takes balls. And he deserves that prize, and the £2000 that comes with it, and so much more.

And he is not the only one who does. He is one of many people who risk so much just to make the world a little bit more honest. Here is hoping that one day we won’t need people like Shi-min Fang. But until then, let’s just be glad they’re around.

Thursday, 7 March 2013

Apparently, I Blogged Too Soon.

A couple of days ago I wrote this about what I've been doing recently, going into great detail about Tiny People Fabulous, the short film group I started with some friends. I wrote about how exciting it all was for me despite the sheer amount of delays we've suffered and how happy I am to finally have a film up. I had to regretfully admit that the first film we shot was still not edited, despite us filming it all in one magnificently catastrophic afternoon before Christmas.

Well, we edited it the next day and it has been live on YouTube for just over 24 hours now!

Needless to say, I am deliriously happy.

This film is already not our best and it will probably remain one of the sillier, clumsier films we have in our modest portfolio, but that isn't a problem for us.

"I'm Not SpongeBob" was the first film we actually did. It required one location and one actor and so it was generally quite a simple film to make. We were still getting used to being in that sort of environment and we did not really know what we were doing, and then a load of really annoying things happened that could so easily have screwed the whole thing over.

But we did it anyway.

Harry on set, wondering what
on Earth he got himself into.
And I, for one, will always cherish it as the film that properly kicked off Tiny People Fabulous. It was the first time that we, as a group, stopped dicking around and actually started doing something productive - and that felt pretty special.

I am supremely grateful to everyone who was involved in this film, and I'm not just saying that because I didn't really do a lot apart from fill a bath (with kettles; typically, my boiler decided to stop working on the day) and buy a pizza (I take care of the people in my films, dammit!).

Not really knowing what we were doing for this one, we all jumped into it with the sort of optimistic attitude that so easily could have seen us make some monumental cock-ups. We were very lucky to have some great people involved to get us through it.

A massive thanks most certainly needs to go to the star of this film, Harry Deacon. Having known us for all of about two weeks, he agreed to get next to naked and spend the afternoon in a lukewarm bath while we filmed him being pelted him with sponges. That is possibly the definition of dedication to a commitment and he deserves a hell of a lot of credit for it. Not to mention the fact that at least one person (who shall remain nameless) has admitted to watching it a few times just to look at him topless a bit more.

Then we have our very patient director, Amy, and cameraman, Lee, who put up with me, Tim and Rianna behaving like children for most of the shoot. It took us hours to get the bath shots finished because a lot of them were spoilt by us being silly. Loads of times, Rianna threw the sponges too hard or too softly or at the wall over Harry's shoulder. Then there were all the times that we talked over it or laughed at something or generally behaved like idiots where the camera could either see or hear us.

I held up my camera and said "Look like we're seriously
shooting a film". This was what they did.
The three of us then went to buy pizza, and Amy, Lee and Harry managed to get the rest of the film finished in thirty minutes, including a very dramatic toilet shot that still has me in fits of laughter every time I see it.

For fuck's sake,
Rianna!
Rianna was hiding in
the kitchen with the
intention of scaring me
while I took this.
Making this film gave all of TPF the confidence to go on, even though we didn't get it finished until the other day. At the end of the shoot, we felt great about having actually done it and, even though it took us some time to get around to editing it because of Christmas and essays and VO recordings, without it we might have let everything peter out into nothing instead of coming as far as we have - and will.

After all that, I don't think that our first attempt turned out all that badly. I think it's actually pretty good. And funny. Whether or not you agree is a matter of opinion, but that's all right. We're not trying to please everyone; we're trying to just be us and to have fun creating something we can call our own. And we are. Hopefully it will be entertaining. If not, we'll just try harder next time.

"I'm Not SpongeBob" seems to have been received well by the people who have seen it so far. I am happy with the responses we've got, at least. It has been described as being "very you" (meaning me), which I take only as a compliment.

Shaky and silly as this film most certainly is, I don't care. I love it anyway. It was a first attempt. And not a bad one at that.

Here it is!


Tuesday, 5 March 2013

So I Finally Feel Productive!

Generally, I spend most of my time procrastinating and / or nerding out, for that is the typical behaviour of the dorky student. But I have been doing things recently that are making me feel productive for longer than it takes to do them, which is the downfall of any work done towards my degree.

For the past few months, I have been putting a lot of effort into something that started out with a bunch of silly jokes - as do most of the things I do. But this, unusually, has got me excited in a way that the feeling has persisted since last October and it is still making me delirious happy.

Tim
Last year, as part of my degree, I did a module studying Short Film (and I got a first in it, which is a bit irrelevant, but made me super happy). Tim, a friend from the course, and I decided that it would be fun to make the films that we had written and had planned to write, rather than having just a bunch of short film scripts gathering digital dust once we had finished the semester. We also figured that this would be a good way of building up a creative portfolio before graduating from university, not only for us but for anyone else who wanted to get involved - other writers, directors, actors, editors, crew... We bounced the idea around some of the people on our course and they seemed to like it.

Then, one day, Tim and I showed up for a seminar that had been cancelled. Neither of us has received the email informing us of this, sent little more than an hour before the start of class while we were in different lessons. In a bit of a first-world-problem bitch fit (in which we bemoaned how much we were paying to be at university and still getting stood up), we decided that we did not need our teacher and were perfectly capable of writing and making short films by ourselves.

We were sort of right.

In that afternoon, we came up with a name, half a dozen potential script ideas, an email address, a Twitter account, a Facebook Members' Group and a Facebook Like page. In short, Tiny People Fabulous was born!

Terry the Toucan, the mascot
of Tiny People Fabulous
Over the next few weeks, the two of us met regularly to expand on this. We messaged people on our course asking if anyone else wanted to get their films made. We left link to our Facebook Members' Group on the message boards of various local and uni-based drama groups. We turned some of our script ideas into actual scripts.

As the weeks went on, people started noticing us and asked if they could get involved. There was a massive (but inevitable) imbalance in the favour of young actresses, so we spent an afternoon emailing anyone who looked valuable asking if they would like to get involved. Some of them did.

We started filming what was going to be our first short film shortly before Christmas of 2012. We had loads of issues from the beginning, but we had expected that we would and we approached them with the kind of optimism and eagerness typical of such newbies as us.

On set of the first film we shot!
On the day of shooting, for instance, the heating went out in my house, so we had to fill a bath with water from the kettle. It took more than an hour. It was hilarious.

Somehow, miraculously, we got the whole of the film shot in one afternoon.

Then we had to delay the voice-over recording, which meant that the editing was also delayed, and we could not get the film finished by the deadline we had set for ourselves. We had hoped that we would be able to have at least one done before the end of the year. 

We did not.

We have since been told that that deadline was wildly over-ambitious and that there was no way we could have done it without cutting some serious corners. So we chose to see our first fuck-up as a learning curve rather than a failure. This film is still not out, sadly, but it is very nearly finished, so it should be very soon!

We took a break over Christmas while everyone went home from university. I used the time I had free to get some scripts written and to do as much admin stuff as I could so that we could get right into creating when we got off our holidays. We began shooting another film (sadly also not yet edited) upon our return to London in January, which we had hoped to release before the end of the month to suit its theme.

One setback that has plagued us is our own silliness.
I had to put Tim and Rianna in the naughty corner to stop them
disturbing the process.
Again, we have been advised that this was somewhat ambitious of us, and again we decided to learn from this.

We did not.

Around the end of January 2013, we planned and shot a film designed to be released by Valentines' Day. Needless to say, it was not.

Kim, director of "Pulled"
We had all of the filming done well within our chosen deadline, but we had the same issues with editing as we did with the other films. We had very few editors and even less available technology, and we are still now sorting out putting it together. But being sorted out it is, and come together it will! It was an amazing experience making this film. Our director, Kim, was incredible and had such amazing and specific ideas - she knew what she wanted, and what she wanted was original and cool. She did great things with the script and made it very personal and very unique. We were lucky enough to be working with some devoted actors who pushed themselves to do new things for the sake of our art.

Dressing our beautiful leading lady
on the set of "Pulled"


For all of our films so far (excepting some uncomfortable friction with a temperamental director), I have worked with some incredible people, mostly students at university with me but not exclusively. Everyone has been gloriously dedicated and enthusiastic about everything; their attitude has made every process feel so much more exciting.

Working on a creative project personal to us with no other reason than that we wanted to was - and is - amazing. I have had so much fun with Tiny People Fabulous despite the setbacks that pretty much all of our projects so far have suffered. Keeping optimistic has been essential, but I think it is beginning to pay off.

Admittedly, our first film is short and silly - and so our most of the others we have planned for the future - but it is our silly film and it suits us perfectly! Tiny People Fabulous was born in silly circumstances (the first three or four film ideas we had were based purely on dick jokes of some description) and it would not have made sense to us to do any of it without a sense of fun.

Our first uploaded film, "Get Out Of My Room", is a great way, I think, of introducing Tiny People Fabulous to the world. Being based loosely on real life, it lets you all see what you're getting in for when you get into us - and unashamedly so.

We shot it in one absurd but efficient afternoon, edited it over the next few days and actually had the whole thing complete in about a week or so. It all went incredibly smooth and went pretty much how we had hoped the others would. It was a far simpler film to put together (with only one location and nothing as fancy even as voice-overs), and having both editors and technology freeing up right around the time we needed them certainly did not hurt the process.

Our modest editing crew


We are very pleased with how it turned out and supremely grateful to everyone involved in making it, as well as everyone who has watched it already and offered us some feedback.

I am so looking forward to the next few weeks and the release of the rest of our films already in progress. I cannot wait to start shooting again because I have already had so much fun and worked with some incredible people. I can only see good things happening for Tiny People Fabulous.

On set of our very late January production.

In the meantime, I can only offer a thousand of my most heartfelt thanks to everyone who has contributed even slightly to everything we have achieved so far and to offer this to the rest of the world...



Thanks!

Tim and I on set. We're definitely not messing around.

Tuesday, 29 January 2013

Love Story, Via YouTube

We're all vaguely aware that the fairytale/Hollywood presentations of love are a bit twisted; there's always a happily ever after and you can always sort of see it coming, no matter how long and annoying the story leading up to it might be. No one above the age of about twelve really expects that that is the way love actually is. It is generally taken for granted that the whole world isn't quite as romantic as pop culture would like.

I happen to be really into my comedy musicians. As in, beyond what is ordinarily considered healthy. And I have noticed that comedians tend to know a hell of a lot more about love than songwriters. Instead of arguing about this, I am going to take a handful of chosen songs and let you decide for yourself whether or not you agree. (This is also my way of pressuring my friends into listening to more of my silly music, but they don't need to know that.)

So. You see someone, and they make you feel like this...
(Song starts at 1.10)


And they probably make you feel a bit like this too...



And you're terribly afraid that this might happen...



But eventually you pluck up the courage to say something like this...


And if you're lucky, you get this...



Although it'd be a shame to end up like this...
(Song starts at 1.23)

And (if you're anything like me) there may be a bit of this...


But, ultimately, it's going to work out okay, because...



See what I mean? They know their stuff. And frankly half of these are more romantic than most of the bog-standard love songs floating around...


That was too easy. I apologise. I don't regret it though.

Incidentally (haha; it's a pun), I personally think that these are two of the loveliest love songs ever written and they were both written by comedians:

"Incidentally" by Scott Edgar.



"I Think I Like You" by Paul McDermott.



Saturday, 26 January 2013

The Future of Gaming is Oculus Rift!

Given the advances of gaming technology in recent years, there is little left preventing us really getting into the virtual world of our games.

Now Oculus VR has developed a virtual reality headset which is said to have the potential to hugely shift gaming as we know it a step closer to that ideal, which is especially impressive as it began life as a project on Kickstarter. It managed to raise nearly two and a half million US dollars and has been doing some pretty awesome shit with it.

Specifically, this awesome shit:


The Oculus Rift got loads of attention at its CES debut this year and was said by TechRadar.com to "easily surpass every other virtual reality headset". It is designed to make the player feel like they are actually in the virtual world, rather than looking at a flat screen or even a 3D screen. This will mean that gameplay changes will be necessary to implement the "head-tracking" technology, but that sounds nothing less than amazing and definitely not much of a sacrifice.

The technology works by providing a separate image for each eye, in the same way that eyes work in real life. The visuals that this creates have already been described as being "extremely fluid and natural" (TechRadar) and update at a pace of 60 frames per second. However, it does have the potential to cause unpleasant nausea in people who suffer from motion sickness. Oculus VR's representatives say that this is common among first-timers, but that most players get used to it.
Testing the developer kit

At the moment, a developer kit is being built so that the prototypes can be tested. For the time being, it has relatively low resolution (720p rather than 1080p) but, according to the Oculus VR website, apparently still "delivers a compelling, immersive 3D VR experience". The resolution will be improved in time for the launch of the finished product. The current prototypes work only on PC, but there are plans to expand it to mkae it compatible with Xbox, Playstation and Wii consoles in the future.

Sadly, we have missed out on being developers and the Oculus VR website advises against ordering a developer kit (unless you're a really hardcore gamer and want one just for its value as a piece of gaming history), which will be shipped out to testers in April 2013, but the consumer version is promised to "improve on almost every aspect of the developer kit".

In November 2012, it was announced that DOOM 3 BFG Edition and Hawken would be the first official Oculus-ready games. The developers hope that the technology will become popular and get integrated into other new titles and maybe have new games designed specifically for it. There is even talk, in the distant future, of improving the gear so that it can be used for other activities like watching films, although for now it is specifically for gaming.

Something that pleased me about the headset is that it is said to be surprisingly beneficial for the eyes; I have to wear glasses and I put it down to reading by moonlight and letting my eyes relax in front of close screen for many hours longer than is healthy. The Oculus Rift is designed to allow the eyes to focus as they would normally, converged in the distance at all times and able to relax without causing eye strain.

For now, Oculus VR is being somewhat vague about when the Rift will be launched to the consumer market and how much it will cost, but the website is adamant that they are "working tirelessly to make it available as soon as possible" and that it will "deliver the highest quality virtual reality experience at a price everyone can afford".


I personally think that, once this is commercially available and if it is even half as good as it is expected to be, I will retreat for a while from society and resurface some exhausting weeks later greatly dissatisfied by reality.

Thursday, 3 January 2013

Finally, A Break for the Bacon-Loving Vegetarian!

A little while ago I came across this lovely story. Featuring bacon at its centre, it inevitably caught the attention of nerds (such as myself) from across the world.

Probably the chickeniest
McNugget ever made...
Basically, some clever Dutch bunnies have developed a way of growing bacon, and other kinds of meat (but mostly importantly bacon), from stem cells. This means that a burger can be grown in a lab. It means that there is no need for a chicken to live, suffer and die horribly just to end up as whatever sliver of a McNugget actually is chicken.

Although still in its early stages, this innovation has the potential to remove the need to farm animals for food from modern civilisation because meat - and all it's lovely, protein-y, meaty goodness - can go from stem cell to plate without the bother of raising and harming any animals.

Accepting for the time being that stem cells are all very well and good (which they are), this could mean massive benefits to the world. It would mean less animal cruelty on farms and it would mean that there is a more efficient way to feed the starving millions in third world countries who are in desperate need of more nutritious food.

Plus, it would mean that pigs could be bred for cuddling instead of eating...

It's so fluffy I'm gonna die!!!!

And now I sort of understand why you would avoid eating them...

But I do have a question for those who choose not to indulge in the general loveliness of bacon.

Look at that. How can you resist?

The point is, if you have up until now, do you still have to?

I am genuinely curious about this, but I am not really close enough to any vegetarians or vegans to demand that they read articles and offer opinions purely for my benefit. So, Intenet; it is up to you.

Excusing those people who choose not to eat meat for medical reasons, and focussing instead on those who choose to avoid meat because they think that eating the flesh of a once-living thing is immoral, would this meat be alright to eat? Would you consider trying genetically-engineered, no-animals-harmed, test-tube-to-frying-pan bacon?


Saturday, 15 December 2012

I Like Trains. Especially When They're Roller Coasters.

I could not be more excited if someone had told me that they were considering building a helter skelter between my flat and the street. I would be a bit more excited - say, if someone actually had built a helter skelter between my flat and the street - but this incredible innovation is in Japan.

But with good reason.

Tohoku during the 2011 tsunami.


Following the devastation caused by the tsunami last year, a company called Senyo Kogyo (which designs rollercoasters and other amusement park rides) along with a team from Tokyo University's Institute of Industrial Science have designed the Eco-Ride, a train that will use largely its own inertia to move.

It will have no engine and be very light; gravity will do most of the work, so what little energy is required will cause next to environmentally unfriendly emissions. Its speed is controlled  by 'vertical curves' in the tracks and should be able to travel at up to sixty kilometres per hour.


Numerous areas of Japan are already interested in installing Eco-Ride trains and it is hoped that they will expand to be used all over, to get around cities and towns but also by big business and sprawling university campuses that take a lot of time to walk around between, for instances, important meetings or lectures. The first train is expected to be built in 2014. It is due to be built in Tohoku, which, aside from being necessary to help survivors of the flood get around the ruined landscape, is said to be the perfect environment for Eco-Ride trains because of the slope between the relocated accommodation on the high ground in comparison to the businesses at the lower sea level.

Alight, these people have had their home washed away by furious, broiling sea water, but very soon they will be able to get a roller coaster to work.

With all due respect, sympathy and wishes for a quick recovery from the tragedy ... I am a little bit jealous...